Photo:KATO Ken,Photo courtesy of Tokyo Arts and Space

Photo:KATO Ken,Photo courtesyofTokyo Arts and Space

Photo:KATO Ken,Photo courtesyofTokyo Arts and Space

Find a point of view/gaze,2023,movie,left:31’27/right:9:18″,Photo:KATO Ken,Photo courtesyofTokyo Arts and Space

Getting punched/The monster in the hole,2023,movie,4’16”,Translation: WEI JIA,Photo:Koichi Nishiyama

drive#4,2021,canvas,acrylic,Photo:Koichi Nishiyama

健全なパラノイア パターン 3,2022,1303×895mm,Resin,acrylic,on board,Photo:Koichi Nishiyama

1994-2011/1994-2011 #2,2022,333×242 mm,Resin, acrylic,on board,Photo:Koichi Nishiyama

Heteronormativity,2023,180×144 mm,Epoxyresin, acrylic on board,Photo:Koichi Nishiyama

Fiction (to point at),2021,140 ×180 mm,Resin, acrylic on board,Photo:Koichi Nishiyama

支配的なハグ,A domineering hug,2022,910×652 mm,Resin, acrylic on board,Photo:Koichi Nishiyama

gaze #2,2023,530×410 mm,Resin, acrylic on board,Photo:Koichi Nishiyama

非言語/行動によるもの,Nonverbal/Classification by deed,337×243 mm,180×144 mm,Resin, acrylic on board,Photo:Koichi Nishiyama

Why do you say why don’t you say,2023,1620×1303mm,Resin, acrylic,on board

noisy people,2021,242×333 mm,Resin, acrylic on board,Photo:Koichi Nishiyama

current house,2023,1620×1303 mm,Resin, acrylic on board,Photo:Koichi Nishiyama

NEWS,2020,727×606 mm,Canvas, acryl,Photo:Koichi Nishiyama

Perfect home #2,2018-,443×604mm,White board, marker,Photo:Koichi Nishiyama

Letter,2023,,140×80 mm,White board, marker,Translation: WEI JIA,Photo:Koichi Nishiyama

言語によるもの#2,Classification by language #2,2022,530×455 mm,Resin, acrylic on board,Photo:Koichi Nishiyama

ナイトドライブ#4,Night drive #4,2022,337×242 mm,Resin, acrylic on board,Photo:Koichi Nishiyama